Thursday, October 16, 2025
Jonnie Comet author appearances, 2025-2026
Friday, August 1, 2025
for general distribution, January 2025
Media release:
Deirdre, the Renegade: Never-Never;
by Jonnie Comet.
- Richard Christopher, with Melissa Stockhart, for SCS.
At a recent books gathering, Jonnie Comet posed the question: ‘How do you kill off a first-person narrator?’ The disturbing events at the end of Deirdre, the Voyager, themselves an outcome of the end of Deirdre, the Adventurer before it, are resolved, for better or for worse, in Deirdre, the Renegade: Never-Never (Surf City Source Media Group), volume five of the Deirdre saga.
Having awakened in an alien land, Deirdre must face the ultimate example of karma when she returns to the scene of an accident. Consequences transpire, conducting her across half of Australia in a desperate dash for freedom. Along the way, scarred and scared, she will realise that, more than saving her own skin, what she needs most is to save her own soul.
Though she has clearly matured over the last year, the Deirdre of this instalment recalls the Deirdre of Wanderer, the first volume. In attempting to make a fresh start, she forges new friendships, learns vital life skills, eludes untenable situations and charms all she meets. She even revisits two of her very first careers, if only tentatively, finding both more lucrative now than before. Through immersing herself in a series of four isolated, insular societies— and on her way towards a fifth— she takes on a myriad of assumed names and identities. But by now she has the confidence of knowing who she is and what she wants: a very capable young woman seeking a way of life on her own terms. For any chance at that she will forsake anything that might inhibit her, even a respectable chance at romantic love.
Fetching up in a veritable oasis she is quickly adopted by the hardworking Collins family and dives into routine, not entirely out of mere gratitude. As on the container ship in Voyager, she is excited to recognise a situation in which she might carry on almost indefinitely. But in spite of spiritual happiness— and more than a little intimate gratification— her past will rear up, most unwelcome. And, as at Grand Bahama with the Clark family, she must decline and move on.
Part of her recognisable maturity can be seen by her attention from the Morgan family on whose yacht she will crew. Her identity swings between the impression of Caleb and Jesse, the two younger teenaged boys, that must be older and more socially experienced, if only down to their unfamiliarity with keeping close quarters with a pretty girl in a bikini, and their bachelor Uncle Daniel’s hope that she might not be too young after all, if only down to the content of his own daydreams. For her part Deirdre delves into the role of a sensible yet fun-loving teenaged girl, favourably impressing David and Josie, the boys’ parents, till her character is finally defined, definitively, by her response to the most dire circumstances imaginable.
Ultimately her friends come to love her too much to do anything but what they believe the very best for her, at any cost to themselves. Deirdre’s plan for how to arrive in a new land confuses them all; for they cannot know of the circumstances under which she believes herself to be one step from an insupportable outcome. As such her decision here, as with the end of Wanderer, represents her boundless and indefatigable sense of noblesse oblige, which may be the maturest thing she has yet done.
Jonnie Comet has intimated that Renegade may be one of his favourite instalments of the series. Defying strict rules of formulaic fiction, the novel is rife with a cocktail of exotic locations, illicit travel arrangements, sensual interludes, and life-or-death dangers. ‘To read of Deirdre is to dive into her world,’ asserts the Author. ‘You’ve got to join her in that head space to appreciate just where she’s coming from.’
As it turns out for the heroine, who may be one of the most loveable literary heroines ever, that may not be such a terrible place to be.
Deirdre, the Voyager: Karma is now available through Amazon.com.
media: Deirdre, the Voyager: Karma
for general distribution, October 2024
Media release:
Deirdre, the Voyager: Karma;by Jonnie Comet.
- Richard Christopher, for SCS.
The principle of karma has it that morally good actions will ultimately produce morally good outcomes, and that morally bad actions will produce the reverse. Whether an action is good or bad comes down to the intention behind it; so, in general, accidents and mistakes should not be judged on a moral level.
The teenaged heroine of Jonnie Comet’s Deirdre, the Voyager: Karma (Surf City Source Media Group) has heretofore been a very good sort of girl, trying her best to live in a world which often demands that she abandon her principles of honour, decency and human kindness. Now, for the first time she is facing not the amourous attentions of a few pushy young men but several very real dangers to her very life, and, worse, to the lives of those she has come to love more than herself.
Over most of Voyager: Karma, Deirdre sails warm waters, basks in the sun and forges close friendships with shipmates amidst the life-or-death realities of voyaging at sea: nothing she has never done before. But unavoidable circumstances will try the effervescent teenager in a bikini with the danger of unpredictable violence and the likelihood of murder; and in her absolute determination to survive we discover a much darker Deirdre than ever before, cunningly ingenious and stunningly effective at what no 15-year-old girl should have to know how to do.
‘Do not think of him again,’ she says to comfort little Mandi after they are threatened with molestation by a lecherous terrorist. ‘He is a monster.… I will kill him before I ever let him touch you again.’ Deirdre may well believe her actions and intentions morally justified, even as she complains that others’ are not: ‘…all the struggles in this part of the world are nothing more than squabbles between two kinds of people who do not accept the concept of “forgive and forget’’.’
Her time in mystical India with the loving Prasad family is almost mundane by comparison, reminiscent of her happy days in England, staying in a happy household of loving friends and pleasantly occupied with productive responsibilities. But she cannot escape the past; and forces beyond her control compel her to forsake what she most loves to flee what she most fears.
Joining the complement of an Australian container ship, she embarks on the most productive and satisfying voyage so far, the close community of the ship under the leadership and high expectations of the demanding but kindly Captain Stewart providing the best combination of responsibility, safety, family and sense of home Deirdre has known so far. She will observe joyfully several major milestones in her young life and will experience the excitement and ecstasy that comes from discerning a distinct course for her future… till the point-of-no-return Deirdre has long dreaded, which comes at the least likely and most heartbreaking opportunity.
Nearly a year into her independence, Deirdre has come a long way, and not just geographically. This is no longer the optimistic, naïve little girl of Wanderer, nor the vindictive manipulator of Oyster’s Pearl. With experience has come a marked degree of maturity, and with it a mandatory acceptance of just how her actions affect herself and others, both in this world and the next. Even so, Sister Elaine’s assessment of her on the train is probably more accurate that Deirdre knows: for even an avenging angel deserves forgiveness.
The volume’s title is telling; for Voyager begins and ends with ambiguity, both logistically and morally, like a journey with no beginning or end. Author Jonnie Comet leaves a reader anxious for an outcome that will not yet arrive, leading into the next instalment in which some questions may be answered. As the ever the indefatigable narrator, maybe one of the most loveable literary heroines ever, has won a place in our hearts with her winsome wit and and all-too-human humility.
media release: Deirdre, the Adventurer: Odyssey
for general distribution, August 2024
Media release:
by Jonnie Comet.
- Richard Christopher, for SCS.
Once a confused runaway teenager alone in the great big world, Jonnie Comet’s heroine of the Deirdre, the Wanderer series has matured into a remarkably capable young woman. Possessed of a hard-earned sense of confidence, good reason for optimism, and more money than ever before, this is a Deirdre exceeding even her own expectations for her future.
In Deirdre, the Adventurer: Odyssey (Surf City Source Media Group), 15-year-old Deirdre joins a set of people who truly care for her, returning the admiration and affection in kind and savouring the saccharine satisfaction of being just another happy teenaged girl. Living peacefully in merry old England may be a win/win situation for her. Phyllis and Marie, whom Deirdre met in Oyster’s Pearl, are graduate assistants at the university and unabashed admirers of their young friend, the closest to protective older siblings that Deirdre has ever known. And when she shyly confesses the great purpose of her visit to England, her new soulmate Alison responds with breathless awe and lightheaded romantic whimsy. Of course Deirdre has longed to reconnect with Henry, whom she met at the romantic Baths of Virgin Gorda. The sweetest scenes are also the most passionate as they move through their daydreaming infatuation with each other towards something that promises a long-term commitment.
‘Dee,’ Marie says to her once, ‘he is an absolute charmer. No girl would resist him; and yet he’s utterly devoted to you. You haven’t given it a thought–?’
Deirdre only blushes— even embarrassment about romance insufficient to derail her native honesty. ‘A thought? A thought, about how often? –oh; shall we say, about five times every minute?’
The heroine seizes a chance to deliver a friend’s 57-footer from Gibraltar to Greece and a 28-foot sailboat from Greece to Egypt, two great sailing voyages crossing the whole breadth and length of the Mediterranean. After several different kinds of heartbreak she arrives at a third continent where Deirdre immerses herself in culture, sees sights and travels by camel before conducting tourists about the great historical site of Luxor.
The Author is particularly adept with the presentation of secondary and tertiary characters— which everyone but Deirdre in this series is— making them all loveable or despicable by a degree of authenticity rare in plot-driven novels. The ladies of the Mews at Cambridge, Nina’s crew and family, cabbies and camel drivers, boys who proposition her, bankers and bellhops: all bear the distinct characteristics of being real people, not mere set dressing, with whom Deirdre may have meaningful, if only short, associations. Of note is Nina’s Greek great-uncle whose sage, chauvinistic advice and colourful storytelling endear him to Deirdre as the doting grandparent she has never had before. Papi is lovingly encouraging and protective yet sadly aware that they will have to part before either may like, with a lifetime to intervene till they might see each other again.
By this third volume Deirdre has grown into a well-seasoned world traveller with a xenophile’s zeal for new cultures and an uncanny ability to endear herself to all she meets. She learns to communicate in Greek and in Arabic, embraces local customs such wearing a hijab and haggling effectively, deters several crimes, aids others in trouble and gains much respect as well as admiration. With education from a guide book she finds lucrative work conducting guided tours at the Karnak temple. She so impresses the Prasad family that they will enlist her as their daughter’s ayah… a situation that will strongly influence her response to the greatest threat she has faced so far.
Author Comet’s unique background infuses his descriptions of vessels, sailing, oceanic conditions and geography, and maritime procedure with a hands-on authenticity. Deirdre’s actions and decisions are entirely consistent with what a resourceful girl of fifteen can do if she must; and her very realistic attitudes, fears, loyalties and sense of humour only reinforce her appeal as one of the most loveable literary heroines ever.
media release: Deirdre, the Oyster's Pearl
for general distribution, February 2024
Media release:
Deirdre, the Oyster’s Pearl;
by Jonnie Comet.
With an amazing followup to his iconic Deirdre, the Wanderer, Jonnie Comet establishes a globe-girdling series about the life exploits of an eminently credible heroine.
Deirdre, the Oyster’s Pearl (Surf City Source Media Group) manages to equal or outdo Wanderer in all the best points, not the least of which is sheer sensual appeal.
In this second volume of the series, the teenaged vagabond, recoiling from a lost love affair, descends into detrimental influences like drinking, drugs trafficking and a surprisingly charming (and funny) autocrat called Shelly.
‘If her experiences in Wanderer taught Deirdre how to open the door of opportunity,’ says the Author, ‘the episodes of Pearl show how some opportunities ought not to be taken.’ Too eager to move onwards towards a lifelong goal of seeing the British Virgin Islands, the heroine hitchhikes on a series of vessels sailing eastward through the Caribbean. Through her resourcefulness, resilience and innate courage, she shows her companions, herself and the reader what true heroism is made of.
Once again the Author’s knack for authenticity enhances the descriptions of tropical destinations, pre-9/11 travelling idiosyncrasies and especially sailing scenes. Over the first half of the novel Deirdre sulks from a broken heart at Turks & Caiços before hitching a ride, on a yacht in less than pristine condition, with a less-than-expert crew, over the ‘thorny path’ route towards the British Virgin Islands. In the second half she is the crewmate and captive of the egocentric Shelly, who has been transporting narcotics and dirty money about the Leeward Islands with impunity until she meets her match in an innocent and effervescent runaway.
Perhaps the most touching and discomforting feature of the story is the inappropriate relationship between Deirdre and Shelly. Twelve years apart, the two alternate between their own ages and each other’s. Whilst the passive-aggressive Shelly is content to treat her indebted servant as an adult when it serves her ends, she also prefers that Deirdre be equal parts clueless and powerless. But she is frequently exasperated by their disparity: ‘... [S]ometimes you can be such a kid sometimes. I know I’ll never be any kind of role model but I just feel like sometimes I know a little more about what’s going on than you do.’
Deirdre, for her part, matures in wisdom and responsibility enough to know she has missed out on some part of having been young. Shelly is both too overbearing and too amoral to hold her respect, especially after Deirdre meets and quickly falls for an upper-class English boy at the romantic Baths of Virgin Gorda. When, as a bluff to snare Shelly’s affection, she proposes becoming a prostitute, Shelly’s response is only noncommittal. Deirdre complains about what she is helpless to amend: ‘I could not help feeling like the girl in high school who expects more from her boyfriend than he’s ever given her, till she realises he’s not capable of it at all. The only difference was that my “boyfriend” was a 27-year-old lesbian dominatrix.’
Though it has its share of good times (and good humour) this relationship, like Shelly’s freedom to engage in trafficking, cannot endure long. Where in Wanderer Deirdre’s loss is due to a deep-seated need to love, in Pearl Shelly seems immune to any stirrings of the heart; and she is undone by her addiction to the narcotics trade itself. The coup de grace at the climax of Pearl is all Deirdre, a clever, spur-of-the-moment and irrevocable decision that resolves all issues by relying on equal measures of chance, flawed human nature and derring-do... and necessitates a continuation with the next instalment.
Like its precursor, this is not a book easily put down. Surfer/sailor/musician/philosopher/ author Comet enhances and extends his own series with this latest effort (to be followed by several more volumes) chronicling the tribulations of the modest, lovably imperfect Deirdre, who may well be one of modern literature’s most engaging protagonists.
Deirdre, the Oyster’s Pearl is now available in select bookshops, at travel destinations and through Amazon.com.
Friday, December 1, 2023
Deirdre, the Wanderer - Media release 2023
Surf City Source Media Group
for general distribution, October 2023
Media release:
Deirdre, the Wanderer; A Modern Picaresque,
Sixth edition (2023);
by Jonnie Comet.
–Colin Bunge, for Surf City Source Media Group.
‘… it made me want to run away, just for a little while’ –from TeenReviews
‘Deirdre is one gutsy teenaged girl’ –from Literary R&R
‘… ‘just the right combination of street smart/naïve/immortal/stupid teenaged girl’ - Let’s Book It
A picaresque is an episodic story, usually not short, in which a solitary character, usually not of the highest repute, makes headway against a world in which fate, or the character’s own fallibility, tends to foul or foil every attempt. Challenges about motives, means and morality arise; and the protagonist must rely on associations and decisions quickly made and quickly discarded. But, ultimately, the hero is revealed as the most virtuous and most successful figure in the story.
Jonnie Comet’s Deirdre, the Wanderer (Surf City Source Media Group) fulfils this definition perfectly. The first-person narrator, a teenager running away from parents who have neglected her, sets off with only self-preservation in mind and through the course of the book gradually evolves into a heroine embodying noblesse oblige: the unselfish intention to serve others’ best interests at substantial cost to herself. That’s a heady recipe for any story, let alone one so full of realism and detail that it can transport the reader right into Deirdre’s own point of view.
Some may cheer her on; and the author maintains that ‘female adventurers are always good fiction— men read their exploits with salacious voyeurism or parental protection; and all women admire bold, independent, yet feminine protagonists.’
Using humour, candour, native cleverness and always her best manners, the appropriately-flawed Deirdre elicits concern, even fear, as would anyone’s child lost out in the greater world with no-one to turn to for guidance and deliverance.
Wanderer is lush with sailing, bikinis, tropical scenery and rum cocktails, and also rife with the seedy underlife of hot places, especially urban Nassau, to jar a complacent reader watching Deirdre alter her adolescent worldviews to survive. Enduring sexual and racial discrimination, physical and emotional abuse, exposure to detrimental substances, unfair working conditions and unsafe living arrangements, and the constant anxiety about being found out as an underaged illegal alien and being sent back to where she came from, the narrator earns substantial wages, forms substantive friendships, and even falls in love, emerging from a self-conscious, self-deprecating teenager into an independent young woman whom a reader can admire. ‘If you’re going to care for her,’ says the Author, ‘the book has got to give you enough to wince at, weep at and worry about… as well as reason to cheer for her when she prevails.’
At the end of the book, nothing is permanent; the Author promises that, over the course of several sequels, Deirdre will cover a good half of the world in search of a place she can call home.
Cleverly crafted and well-written, Deirdre, the Wanderer may be, above all, escapist fiction of the highest order. It is a beach book, a bus-trip book, a bring-it-along book that will transport the reader to a surreal reality enchanted by the narration of an engaging and sympathetic heroine who may be one of literature’s most lovable heroines.
Deirdre, the Wanderer is available in select bookshops and travel destinations or through Amazon.com.